Illustrators of Milton

Albinson, Cassandra, Peter Funnell, and Lucy Peltz. (Eds.) Thomas Lawrence: Regency Power & Brilliance. New Haven and London: Yale University Press, 2011.

Armstrong, Sir Walter. Lawrence. New York: Charles Scribner’s Sons, 1913.

Ashton, Geoffrey. Thomas Lawrence. London: Chaucer Press, 2006.

Beck, Sybille. “Points of view: John Martin and pictorial interpretations of Byron’s Manfred.” The British Art Journal, Vol. 2, No. 3 (Spring/Summer 2001): 22–27.

Becker, Christopher, and Claudia Hattendorff. Johann Heinrich Füssli: Das Verlorene Paradies. Stuttgart: Staatsgalerie Stuttgart, 1997.

Behrendt, Stephen C. The Moment of Explosion: Blake and the Illustration of Milton. Lincoln and London: University of Nebraska Press, 1983.

Bindman, David. “Hogarth’s ‘Satan, Sin and Death’ and its influence.” The Burlington Magazine, Vol. 112, No. 804 (Mar., 1970): 153–59.

Calè, Luisa. Fuseli’s Milton Gallery: “Turning Readers into Spectators.” New York: Oxford University Press, [2006] 2008.

Cass, Jeffrey. “Fuseli’s Milton Gallery: Satan’s First Address to Eve as a Source for Maria Edgeworth’s Belinda.” ANQ: A Quarterly Journal of Short Articles, Notes and Reviews, Vol. 14, No. 2 (Spring, 2001): 15–23.

Doré, Gustave. Doré’s Illustrations for “Paradise Lost.” New York: Dover Publications, Inc., 1993.

Dunne, Tom. (Ed.) James Barry, 1741 – 1806: “The Great Historical Painter. Cork and Kinsale, Co. Cork: Crawford Art Gallery and Gandon Editions, 2005.

———, and William L. Pressly. (Eds.) James Barry, 1741 – 1806: History Painter. Burlington, VT: Ashgate, 2010.

Farmer, John David. “Henry Fuseli, Milton and English Romanticism.” Bulletin of the Art Institute of Chicago (1973-1982), Vol. 68, No. 4 (Jul. – Aug., 1974): 14–19.

Frye, Roland Mushat. Milton’s Imagery and the Visual Arts: Iconographic Tradition in the Epic Poems. Princeton: Princeton University Press, 1978.

———. “Milton’s Paradise Lost and the Visual Arts.” Proceedings of the American Philosophical Society, Vol. 120, No. 4, Symposium on John Milton (Aug. 13, 1976): 233–44.

Furman, Wendy. “Colorizing Paradise Lost: Jean-Frédéric Schall’s Designs for Le Paradis perdu (1792).” Huntington Library Quarterly, Vol. 59, No. 4 (1996): 465–501.

Furman-Adams, Wendy, and Virginia James Tufte. “Anticipating Empson: Henry Fuseli’s Re-Vision of Milton’s God.” Milton Quarterly, Vol. 35, No. 4 (December 2001): 258–74.

———. “The Choreography of Passion: Henry Fuseli’s Milton Gallery, 1799/1998.” In Reassembling Truth: Twenty-First-Century Milton. Ed. Charles W. Durham and Kristin A. Pruitt. Selinsgrove, PA: Susquehanna University Press, 2003: pp. 213–41.

Haut, Asia. “Barry and Fuseli: Milton, Exile and Expulsion.” In James Barry, 1741 – 1806: History Painter. Ed. Tom Dunne and William L. Pressly. Burlington, VT: Ashgate, 2010: 95–113.

Haywood, Ian. Romanticism and Caricature. New York: Cambridge University Press, 2013.

Hutton, John. “ ‘Lovers of Wild Rebellion’: The Image of Satan in British Art of the Revolutionary Era.” In Blake, Politics, and History. Ed. Jackie DiSalvo, G. A. Rosso, and Christopher Z. Hobson. New York and London: Garland Publishing, Inc., 1998: 149–68.

Irwin, David. English Neoclassical Art: Studies in Inspiration and Taste. London: Faber and Faber Ltd, 1966.

———. “Fuseli’s Milton Gallery: Unpublished Letters.” The Burlington Magazine, Vol. 101, No. 681 (Dec., 1959): 436–40.

Keay, Carolyn. Henry Fuseli. New York: St. Martin’s Press Inc., 1974.

Labriola, Albert C., and Edward Sichi, Jr. (Eds.) Milton’s Legacy in the Arts. University Park and London: The Pennsylvania State University Press, 1988.

Lenihan, Liam. The Writings of James Barry and the Genre of History Painting, 1775–1809. Burlington, VT: Ashgate Publishing Company, 2014.

Lentzsch, Franziska. (Ed.) Fuseli: The Wild Swiss. Zürich: Scheidegger & Spiess, 2005.

Levey, Michael. Sir Thomas Lawrence. New Haven and London: Yale University Press, 2005.

———. Sir Thomas Lawrence 1769–1830. London: National Portrait Gallery, 1979.

Loukes, Andrew. William Blake in Sussex: Visions of Albion Exhibition. London: Paul Holberton Publishing, 2018.

Mason, Eudo C. The Mind of Henry Fuseli. London: Routledge & Kegan Paul, 1951.

Morden, Barbara C. John Martin: Apocalypse Now! Carmarthen: McNidder & Grace, [2010] 2015.

Myrone, Martin. Bodybuilding: Reforming Masculinities in British Art 1750–1810. New Haven and London: Yale University Press, 2005.

———. Gothic Nightmares: Fuseli, Blake and the Romantic Imagination. London: Tate Publishing, 2006.

———. Henry Fuseli. Princeton: Princeton University Press, 2001.

———. John Martin: Apocalypse. London: Tate Publishing, 2011.

Pointon, Marcia R. Milton & English Art. Toronto and Buffalo: University of Toronto Press, 1970.

Powell, Nicolas. The Drawings of Henry Fuseli. London: Faber and Faber Ltd., 1951.

Pressly, Nancy L. The Fuseli Circle in Rome: Early Romantic Art of the 1770s. New Haven, CT: Yale Center for British Art, 1979.

Pressly, William L. James Barry: The Artist as Hero. London: Tate Gallery Publications Department, 1983.

———. The Life and Art of James Barry. New Haven and London: Yale University Press, 1981.

Reifert, Eva, and Bodo Brinkmann. Henry Fuseli: Drama and Theater. Prestel: Munich and New York, 2019.

Sandström, Birgitta. “A Rediscovered Marble Relief by John Flaxman.” The Burlington Magazine, Vol. 131, No. 1038 (Sep., 1989): 631–33.

Schiff, Gert. Johann Heinrich Füsslis Milton-Galerie. Zurich/Stuttgart: Schweizerisches Institut für Kunstwissenschaft, No. 4, 1963.

———. Henry Fuseli, 1741 – 1825. Trans. Sarah Twohig. For. Norman Reid. London: Tate Gallery Publications, 1975.

Sieveking, Hinrich. Fuseli to Menzel: Drawings and Watercolors in the Age of Goethe. Prestel: Munich and New York, 1998.

Sullivan, Ernest W., II. “Illustration as Interpretation: Paradise Lost from 1688 to 1807.” In Milton’s Legacy in the Arts. Ed. Albert C. Labriola and Edward Sichi, Jr. University Park and London: The Pennsylvania State University Press, 1988: 59–92.

Tomory, Peter. The Life and Art of Henry Fuseli. New York and Washington: Praeger Publishers, 1972.

Vaughan, William. William Blake. Princeton: Princeton University Press, 1999.

Wark, R. R. “A Note on James Barry and Edmund Burke.” Journal of the Warburg and Courtauld Institutes, Vol. 17, No. 3/4 (1954): 382–84.

Weinglass, D. H. Prints and Engraves Illustrations By and After Henry Fuseli: A Catalogue Raisonné. Burlington, VT: Ashgate, [1994] 2000.

Woof, Robert, Howard J.M. Hanley, and Stephen Hebron. Paradise Lost: The Poem and its Illustrators. Grasmere: The Wordsworth Trust, 2004.