{"id":535,"date":"2018-10-27T05:30:29","date_gmt":"2018-10-27T05:30:29","guid":{"rendered":"http:\/\/theparadiselostlibrary.com\/?page_id=535"},"modified":"2018-11-25T04:28:14","modified_gmt":"2018-11-25T04:28:14","slug":"illustrators-of-milton","status":"publish","type":"page","link":"http:\/\/theparadiselostlibrary.com\/index.php\/library\/illustrators-of-milton\/","title":{"rendered":"Illustrators of Milton"},"content":{"rendered":"

Albinson, Cassandra, Peter Funnell, and Lucy Peltz. (Eds.)\u00a0Thomas Lawrence: Regency Power & Brilliance<\/em><\/a>. New Haven and London: Yale University Press, 2011.<\/p>\n

Armstrong, Sir Walter. Lawrence<\/em><\/a>. New York: Charles Scribner\u2019s Sons, 1913.<\/p>\n

Ashton, Geoffrey. Thomas Lawrence<\/em><\/a>. London: Chaucer Press, 2006.<\/p>\n

Beck, Sybille. \u201cPoints of view: John Martin and pictorial interpretations of Byron\u2019s Manfred<\/em><\/a>.\u201d The British Art Journal<\/em>, Vol. 2, No. 3 (Spring\/Summer 2001): 22\u201327.<\/p>\n

Becker, Christopher, and Claudia Hattendorff. Johann Heinrich F\u00fcssli: Das Verlorene Paradies<\/em><\/a>. Stuttgart: Staatsgalerie Stuttgart, 1997.<\/p>\n

Behrendt, Stephen C. The Moment of Explosion: Blake and the Illustration of Milton<\/em><\/a>. Lincoln and London: University of Nebraska Press, 1983.<\/p>\n

Bindman, David. \u201cHogarth\u2019s \u2018Satan, Sin and Death\u2019 and its influence<\/a>.\u201d The Burlington Magazine<\/em>, Vol. 112, No. 804 (Mar., 1970): 153\u201359.<\/p>\n

Cal\u00e8, Luisa. Fuseli\u2019s Milton Gallery: \u201cTurning Readers into Spectators.\u201d<\/em><\/a> New York: Oxford University Press, [2006] 2008.<\/p>\n

Cass, Jeffrey. \u201cFuseli\u2019s Milton Gallery: Satan\u2019s First Address to Eve<\/em> as a Source for Maria Edgeworth\u2019s Belinda<\/em><\/a>.\u201d ANQ: A Quarterly Journal of Short Articles, Notes and Reviews<\/em>, Vol. 14, No. 2 (Spring, 2001): 15\u201323.<\/p>\n

Dor\u00e9, Gustave. Dor\u00e9\u2019s Illustrations for \u201cParadise Lost.\u201d<\/em><\/a>\u00a0New York: Dover Publications, Inc., 1993.<\/p>\n

Dunne, Tom. (Ed.)\u00a0James Barry, 1741 \u2013 1806: \u201cThe Great Historical Painter<\/em>.\u201d<\/em><\/a> Cork and Kinsale, Co. Cork: Crawford Art Gallery and Gandon Editions, 2005.<\/p>\n

\u2014\u2014\u2014, and William L. Pressly. (Eds.)\u00a0James Barry, 1741 \u2013 1806: History Painter<\/em><\/a>. Burlington, VT: Ashgate, 2010.<\/p>\n

Farmer, John David. \u201cHenry Fuseli, Milton and English Romanticism<\/a>.\u201d Bulletin of the Art Institute of Chicago (1973-1982)<\/em>, Vol. 68, No. 4 (Jul. – Aug., 1974): 14\u201319.<\/p>\n

Frye, Roland Mushat. Milton\u2019s Imagery and the Visual Arts: Iconographic Tradition in the Epic Poems<\/em><\/a>. Princeton: Princeton University Press, 1978.<\/p>\n

\u2014\u2014\u2014. \u201cMilton\u2019s Paradise Lost<\/em> and the Visual Arts<\/a>.\u201d Proceedings of the American Philosophical Society<\/em>, Vol. 120, No. 4, Symposium on John Milton (Aug. 13, 1976): 233\u201344.<\/p>\n

Furman, Wendy. \u201cColorizing Paradise Lost<\/em>: Jean-Fr\u00e9d\u00e9ric Schall\u2019s Designs for Le Paradis perdu<\/em> (1792)<\/a>.\u201d Huntington Library Quarterly<\/em>, Vol. 59, No. 4 (1996): 465\u2013501.<\/p>\n

Furman-Adams, Wendy, and Virginia James Tufte. \u201cAnticipating Empson: Henry Fuseli\u2019s Re-Vision of Milton\u2019s God<\/a>.\u201d Milton Quarterly<\/em>, Vol. 35, No. 4 (December 2001): 258\u201374.<\/p>\n

\u2014\u2014\u2014. \u201cThe Choreography of Passion: Henry Fuseli\u2019s Milton Gallery, 1799\/1998.\u201d In Reassembling Truth: Twenty-First-Century Milton<\/em><\/a>. Ed. Charles W. Durham and Kristin A. Pruitt. Selinsgrove, PA: Susquehanna University Press, 2003: pp. 213\u201341.<\/p>\n

Haut, Asia. \u201cBarry and Fuseli: Milton, Exile and Expulsion.\u201d In James Barry, 1741 \u2013 1806: History Painter<\/em><\/a>. Ed. Tom Dunne and William L. Pressly. Burlington, VT: Ashgate, 2010: 95\u2013113.<\/p>\n

Haywood, Ian. Romanticism and Caricature<\/em><\/a>. New York: Cambridge University Press, 2013.<\/p>\n

Hutton, John. \u201c \u2018Lovers of Wild Rebellion\u2019: The Image of Satan in British Art of the Revolutionary Era.\u201d In Blake, Politics, and History<\/em><\/a>. Ed. Jackie DiSalvo, G. A. Rosso, and Christopher Z. Hobson. New York and London: Garland Publishing, Inc., 1998: 149\u201368.<\/p>\n

Irwin, David. English Neoclassical Art: Studies in Inspiration and Taste<\/em><\/a>. London: Faber and Faber Ltd, 1966.<\/p>\n

\u2014\u2014\u2014. \u201cFuseli\u2019s Milton Gallery: Unpublished Letters<\/a>.\u201d The Burlington Magazine<\/em>, Vol. 101, No. 681 (Dec., 1959): 436\u201340.<\/p>\n

Keay, Carolyn. Henry Fuseli<\/em><\/a>. New York: St. Martin\u2019s Press Inc., 1974.<\/p>\n

Labriola, Albert C., and Edward Sichi, Jr. (Eds.) Milton\u2019s Legacy in the Arts<\/em><\/a>. University Park and London: The Pennsylvania State University Press, 1988.<\/p>\n

Lenihan, Liam. The Writings of James Barry and the Genre of History Painting, 1775\u20131809<\/em><\/a>. Burlington, VT: Ashgate Publishing Company, 2014.<\/p>\n

Lentzsch, Franziska. (Ed.)\u00a0Fuseli: The Wild Swiss<\/em><\/a>. Z\u00fcrich: Scheidegger & Spiess, 2005.<\/p>\n

Levey, Michael. Sir Thomas Lawrence<\/em><\/a>. New Haven and London: Yale University Press, 2005.<\/p>\n

\u2014\u2014\u2014. Sir Thomas Lawrence 1769\u20131830<\/em><\/a>. London: National Portrait Gallery, 1979.<\/p>\n

Loukes, Andrew. William Blake in Sussex: Visions of Albion Exhibition<\/em><\/a>. London: Paul Holberton Publishing, 2018.<\/p>\n

Mason, Eudo C. The Mind of Henry Fuseli<\/em><\/a>. London: Routledge & Kegan Paul, 1951.<\/p>\n

Morden, Barbara C. John Martin: Apocalypse Now!<\/em><\/a> Carmarthen: McNidder & Grace, [2010] 2015.<\/p>\n

Myrone, Martin. Bodybuilding: Reforming Masculinities in British Art 1750\u20131810<\/em><\/a>. New Haven and London: Yale University Press, 2005.<\/p>\n

\u2014\u2014\u2014. Gothic Nightmares: Fuseli, Blake and the Romantic Imagination<\/em><\/a>. London: Tate Publishing, 2006.<\/p>\n

\u2014\u2014\u2014. Henry Fuseli<\/em><\/a>. Princeton: Princeton University Press, 2001.<\/p>\n

\u2014\u2014\u2014. John Martin: Apocalypse<\/em><\/a>. London: Tate Publishing, 2011.<\/p>\n

Pointon, Marcia R. Milton & English Art<\/em><\/a>. Toronto and Buffalo: University of Toronto Press, 1970.<\/p>\n

Powell, Nicolas. The Drawings of Henry Fuseli<\/em><\/a>. London: Faber and Faber Ltd., 1951.<\/p>\n

Pressly, Nancy L. The Fuseli Circle in Rome: Early Romantic Art of the 1770s<\/em><\/a>. New Haven, CT: Yale Center for British Art, 1979.<\/p>\n

Pressly, William L. James Barry: The Artist as Hero<\/em><\/a>. London: Tate Gallery Publications Department, 1983.<\/p>\n

\u2014\u2014\u2014. The Life and Art of James Barry<\/em><\/a>. New Haven and London: Yale University Press, 1981.<\/p>\n

Reifert,\u00a0Eva, and Bodo Brinkmann. Henry Fuseli: Drama and Theater<\/em><\/a>. Prestel: Munich and New York, 2019.<\/p>\n

Sandstr\u00f6m, Birgitta. \u201cA Rediscovered Marble Relief by John Flaxman<\/a>.\u201d The Burlington Magazine<\/em>, Vol. 131, No. 1038 (Sep., 1989): 631\u201333.<\/p>\n

Schiff, Gert. Johann Heinrich F\u00fcsslis Milton-Galerie<\/em><\/a>. Zurich\/Stuttgart: Schweizerisches Institut f\u00fcr Kunstwissenschaft, No. 4, 1963.<\/p>\n

\u2014\u2014\u2014. Henry Fuseli, 1741 \u2013 1825<\/em><\/a>. Trans. Sarah Twohig. For. Norman Reid. London: Tate Gallery Publications, 1975.<\/p>\n

Sieveking, Hinrich. Fuseli to Menzel: Drawings and Watercolors in the Age of Goethe<\/em><\/a>. Prestel: Munich and New York, 1998.<\/p>\n

Sullivan, Ernest W., II. \u201cIllustration as Interpretation: Paradise Lost<\/em> from 1688 to 1807.” In Milton\u2019s Legacy in the Arts<\/em><\/a>. Ed. Albert C. Labriola and Edward Sichi, Jr. University Park and London: The Pennsylvania State University Press, 1988: 59\u201392.<\/p>\n

Tomory, Peter. The Life and Art of Henry Fuseli<\/em><\/a>. New York and Washington: Praeger Publishers, 1972.<\/p>\n

Vaughan, William. William Blake<\/em><\/a>. Princeton: Princeton University Press, 1999.<\/p>\n

Wark, R. R. \u201cA Note on James Barry and Edmund Burke<\/a>.\u201d Journal of the Warburg and Courtauld Institutes<\/em>, Vol. 17, No. 3\/4 (1954): 382\u201384.<\/p>\n

Weinglass, D. H. Prints and Engraves Illustrations By and After Henry Fuseli: A Catalogue Raisonn\u00e9<\/em><\/a>. Burlington, VT: Ashgate, [1994] 2000.<\/p>\n

Woof, Robert, Howard J.M. Hanley, and Stephen Hebron. Paradise Lost: The Poem and its Illustrators<\/em><\/a>. Grasmere: The Wordsworth Trust, 2004.<\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

Albinson, Cassandra, Peter Funnell, and Lucy Peltz. (Eds.)\u00a0Thomas Lawrence: Regency Power & Brilliance. New Haven and London: Yale University Press, 2011. Armstrong, Sir Walter. Lawrence. New York: Charles Scribner\u2019s Sons, 1913. Ashton, Geoffrey. Thomas Lawrence. London: Chaucer Press, 2006. Beck, Sybille. \u201cPoints of view: John Martin and pictorial interpretations of Byron\u2019s Manfred.\u201d The British Art… <\/p>\n

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