{"id":403,"date":"2018-10-25T01:12:48","date_gmt":"2018-10-25T01:12:48","guid":{"rendered":"http:\/\/theparadiselostlibrary.com\/?page_id=403"},"modified":"2018-12-16T05:40:34","modified_gmt":"2018-12-16T05:40:34","slug":"miltonic-r","status":"publish","type":"page","link":"http:\/\/theparadiselostlibrary.com\/index.php\/articles\/miltonic-r\/","title":{"rendered":"Miltonic Romanticism"},"content":{"rendered":"<p><a href=\"https:\/\/www.weeklystandard.com\/paul-a-cantor\/frankenstein-at-200-morgan-library-exhibition-review\" target=\"_blank\" rel=\"noopener\"><em>Frankenstein<\/em> at 200 (Review of The Morgan exhibition)<\/a><br \/>\nPaul A. Cantor, for <em>The Weekly Standard<\/em> (December 13, 2018)<\/p>\n<p><a href=\"http:\/\/now.tufts.edu\/articles\/think-you-know-your-frankenstein-think-again\" target=\"_blank\" rel=\"noopener\">Think You Know Your <em>Frankenstein<\/em>? Think Again<\/a><br \/>\nLaura Ferguson, for <em>Tufts Now<\/em> (March 20, 2018)<\/p>\n<p><a href=\"https:\/\/www.ft.com\/content\/46233f88-1d4a-11e8-a748-5da7d696ccab\" target=\"_blank\" rel=\"noopener\"><em>Frankenstein<\/em>: an all too human monster<\/a><br \/>\nFiona Sampson, for the <em>Financial Times<\/em> (March 9, 2018)<\/p>\n<p><a href=\"http:\/\/time.com\/5133735\/wollstonecraft-grave-mary-shelley-frankenstein\/\" target=\"_blank\" rel=\"noopener\">The Eerie Gravestone Where <em>Frankenstein<\/em>\u2019s Story Began<\/a><br \/>\nFlora Carr, for <em>Time<\/em> (February 26, 2018)<\/p>\n<p><a href=\"https:\/\/www.newyorker.com\/magazine\/2018\/02\/12\/the-strange-and-twisted-life-of-frankenstein\" target=\"_blank\" rel=\"noopener\">The Strange and Twisted Life of <em>Frankenstein<\/em>: After two hundred years, are we ready for the truth about Mary Shelley\u2019s novel?<\/a><br \/>\nJill Lepore, for <em>The New Yorker<\/em> (February 12 &amp; 19, 2018)<\/p>\n<p><a href=\"https:\/\/www.poetryfoundation.org\/articles\/145504\/lightning-strikes-twice\" target=\"_blank\" rel=\"noopener\">Lightning Strikes Twice: Revisiting the Shelleys 200 years after their masterpieces<\/a><br \/>\nErin Blakemore, for the Poetry Foundation (January 22, 2018)<\/p>\n<p><a href=\"https:\/\/www.theguardian.com\/books\/gallery\/2018\/jan\/13\/mary-shelleys-frankenstein-in-charts\" target=\"_blank\" rel=\"noopener\">Mary Shelley\u2019s <em>Frankenstein<\/em> \u2013 in charts<\/a><br \/>\nAdam Frost, Sergio Gallardo, and Edu Fuentes, for <em>The Guardian<\/em> (January 13, 2018)<\/p>\n<p><a href=\"https:\/\/www.theguardian.com\/books\/2018\/jan\/13\/frankenstein-at-200-why-hasnt-mary-shelley-been-given-the-respect-she-deserves-\" target=\"_blank\" rel=\"noopener\"><em>Frankenstein<\/em> at 200 \u2013 why hasn\u2019t Mary Shelley been given the respect she deserves?<\/a><br \/>\nFiona Sampson, for <em>The Guardian<\/em> (January 13, 2018)<\/p>\n<p><a href=\"http:\/\/warped-perspective.com\/index.php\/2018\/01\/06\/200-years-of-frankenstein\/\" target=\"_blank\" rel=\"noopener\">200 Years of <em>Frankenstein<\/em><\/a><br \/>\nKeri O\u2019Shea, for <em>Warped-Perspective.com<\/em> (January 6, 2018)<\/p>\n<p><a href=\"http:\/\/www.bbc.com\/news\/entertainment-arts-42411484\" target=\"_blank\" rel=\"noopener\"><em>Frankenstein<\/em>: Behind the monster smash<\/a><br \/>\nLucy Todd, for <em>BBC<\/em> (January 1, 2018)<\/p>\n<p><a href=\"http:\/\/time.com\/4980454\/frankenstein-monster-history-mary-shelley\/\" target=\"_blank\" rel=\"noopener\">The Real Science That Created Frankenstein\u2019s Monster<\/a><br \/>\nLily Rothman, for <em>Time<\/em> (October 31, 2017)<\/p>\n<p><a href=\"http:\/\/museumcrush.org\/keats-copy-of-miltons-paradise-lost-a-direct-channel-to-the-poets-thoughts\/\" target=\"_blank\" rel=\"noopener\">Keats\u2019 copy of <em>Paradise Lost<\/em>: A direct channel to the poet\u2019s thoughts<\/a><br \/>\nRichard Moss, for Museum Crush\u00a0(October 5, 2017)<\/p>\n<p><a href=\"https:\/\/www.bl.uk\/romantics-and-victorians\/articles\/the-science-of-life-and-death-in-mary-shelleys-frankenstein\" target=\"_blank\" rel=\"noopener\">The science of life and death in Mary Shelley\u2019s <em>Frankenstein<\/em><\/a><br \/>\nSharon Ruston, for The British Library (May 15, 2014)<\/p>\n<p><a href=\"https:\/\/www.bl.uk\/romantics-and-victorians\/articles\/frankenstein-graveyards-scientific-experiments-and-bodysnatchers\" target=\"_blank\" rel=\"noopener\"><em>Frankenstein<\/em>: graveyards, scientific experiments and bodysnatchers<\/a><br \/>\nRuth Richardson, for The British Library (May 15, 2014)<\/p>\n<p><a href=\"https:\/\/www.bl.uk\/romantics-and-victorians\/articles\/mary-shelley-frankenstein-and-the-villa-diodati\" target=\"_blank\" rel=\"noopener\">Mary Shelley, <em>Frankenstein<\/em> and the Villa Diodati<\/a><br \/>\nGreg Buzwell, for The British Library (May 15, 2014)<\/p>\n<p><a href=\"https:\/\/www.bl.uk\/romantics-and-victorians\/articles\/lord-byron-19thcentury-bad-boy\" target=\"_blank\" rel=\"noopener\">Lord Byron, 19th-century bad boy<\/a><br \/>\nClara Drummond, for The British Library (May 15, 2014)<\/p>\n<p><a href=\"https:\/\/www.bl.uk\/romantics-and-victorians\/articles\/an-introduction-to-the-tyger\" target=\"_blank\" rel=\"noopener\">An introduction to \u201cThe Tyger\u201d<\/a><br \/>\nGeorge Norton, for The British Library (May 15, 2014)<\/p>\n<p><a href=\"https:\/\/www.newyorker.com\/magazine\/2007\/08\/27\/avenging-angel\" target=\"_blank\" rel=\"noopener\">Avenging Angel: Inside Shelley\u2019s Manichaean mind<\/a><br \/>\nAdam Kirsch, for <em>The New Yorker<\/em> (August 27, 2007)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Frankenstein at 200 (Review of The Morgan exhibition) Paul A. Cantor, for The Weekly Standard (December 13, 2018) Think You Know Your Frankenstein? Think Again Laura Ferguson, for Tufts Now (March 20, 2018) Frankenstein: an all too human monster Fiona Sampson, for the Financial Times (March 9, 2018) The Eerie Gravestone Where Frankenstein\u2019s Story Began&hellip; <\/p>\n<p class=\"toivo-read-more\"><a href=\"http:\/\/theparadiselostlibrary.com\/index.php\/articles\/miltonic-r\/\" class=\"more-link\">Read more <span class=\"screen-reader-text\">Miltonic Romanticism<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":397,"menu_order":1,"comment_status":"closed","ping_status":"closed","template":"","meta":{"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"class_list":["post-403","page","type-page","status-publish","entry"],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"http:\/\/theparadiselostlibrary.com\/index.php\/wp-json\/wp\/v2\/pages\/403","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/theparadiselostlibrary.com\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/theparadiselostlibrary.com\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/theparadiselostlibrary.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/theparadiselostlibrary.com\/index.php\/wp-json\/wp\/v2\/comments?post=403"}],"version-history":[{"count":6,"href":"http:\/\/theparadiselostlibrary.com\/index.php\/wp-json\/wp\/v2\/pages\/403\/revisions"}],"predecessor-version":[{"id":789,"href":"http:\/\/theparadiselostlibrary.com\/index.php\/wp-json\/wp\/v2\/pages\/403\/revisions\/789"}],"up":[{"embeddable":true,"href":"http:\/\/theparadiselostlibrary.com\/index.php\/wp-json\/wp\/v2\/pages\/397"}],"wp:attachment":[{"href":"http:\/\/theparadiselostlibrary.com\/index.php\/wp-json\/wp\/v2\/media?parent=403"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}